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Product no.: 31016

Intention and target for this composition was a cantata to celebrate the octocentenary of the municipal church of Preetz (Germany). Since the first performance was fixed at 30th of May 2010, the week after Whitsun, a Whit cantata seemed to be indicated. The setting was guided by the musical resources involving the congregational singing during the anniversary celebration. Kaiser-Lindemann expanded the setting by five professional performers: solo soprano, solo flute, 2 piccolo trumpets and timpani.

The lyrics were based on the forceful latin “Veni, Creator Spiritus” by Rhabanus Maurus from the 9th century, which praises the Pneuma’s power. Furthermore two different german translations were added: on the one hand the familiar “Komm, Gott Schöpfer, Heiliger Geist” and on the other hand the less known “Komm, Schöpfer Geist, kehr bei uns ein”.

Stilistically Kaiser-Lindemann’s work ranges between Gregorian hints and ecclesiastical modes right up to contemporary atonal affinity.

from 46.41 *
Delivery weight: 913 g

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Product no.: 31017

The first performance took place at 30th of May 2010 to celebrate the octocentenary of the  municipal church of Preetz (Germany).

Stilistically Kaiser-Lindemann’s work ranges between Gregorian hints and ecclesiastical modes right up to contemporary atonal affinity.

(see also orchestral version)

from 5.95 *
Delivery weight: 165 g

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Product no.: 31034

This about 10 minute five mouvement composition "Geistliche Abendmusik" (Sacred Serenade) after lyrics by Eichendorff, M. Claudius and the Bible stilistically links to J. Brahms und R. Strauss. Readily accessible it develops an impressive atmosphere in its vespertine moods. By vocal and instrumental part splitting even rises time and again a grand harmonic richness besides a genereal tonal restraint. The composition suits for completion of programs with Roantic choral catata.
The short very lyrically composed solo parts call for voices with delicate timbre.
(Prof. Hans Gebhard)

72.76 *
Delivery weight: 363 g

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Product no.: 31060

The “Agnus Dei” for seven-part mixed choir op. 40 by Kaiser-Lindemann is formatwise similar to the “Tre pezzi sacri“ op. 31. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for

  1. Organ op. 41
  2. Orchestra op. 41a

(see also version for organ / symphony orchestra)

from 3.57 *
Delivery weight: 608 g

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Product no.: 31061

The “Agnus Dei” for seven-part mixed choir op. 40 by Kaiser-Lindemann is formatwise similar to the “Tre pezzi sacri“ op. 31. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for

  1. Organ op. 41
  2. Orchestra op. 41a
40.66 *
Delivery weight: 94 g

In stock
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Product no.: 31062

The “Agnus Dei” for seven-part mixed choir op. 40 by Kaiser-Lindemann is formatwise similar to the “Tre pezzi sacri“ op. 31. Both compositions therefor work well for a combined performance with their mixed choir formation. This orchestration showes the same instrumental ensemble as the Requiem by Wolfgang Amadeus Mozart. So this opens up the possibility of combining both pieces in one performance as well.

Alternative instrumental settings are published for

  1. Organ op. 41
  2. Orchestra op. 41a
from 32.13 *
Delivery weight: 319 g

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Product no.: 31035

Vocal score of the "Geistliche Abendmusik" (Sacred Serenade) op. 4 (original piano score by the composer).

(see also orchestral version)

12.84 *
Delivery weight: 88 g

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Product no.: 31057

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for organ / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 105.91 *
Delivery weight: 1,760 g

In stock
can be shipped within 3-5 days

Product no.: 31141

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see version for organ / symphony orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 111.86 *
Delivery weight: 1,078 g

In stock
can be shipped within 3-5 days

Product no.: 31055

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for symphony orchestra / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
42.80 *
Delivery weight: 198 g

In stock
can be shipped within 3-5 days

Product no.: 31054

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 7.14 *
Delivery weight: 176 g

In stock
can be shipped within 3-5 days

Product no.: 31056

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for symphony orchestra / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
42.80 *
Delivery weight: 198 g

In stock
can be shipped within 3-5 days

Product no.: 31131

First edition of the famous choral work by Rachmaninoff with a phonetic transcription of the Cyrillic lyrics.

from 9.63 *
Delivery weight: 242 g

In stock
can be shipped within 3-5 days

Product no.: 31058

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also version for symphony orchestra / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 105.91 *
Delivery weight: 1,760 g

In stock
can be shipped within 3-5 days

Product no.: 31053

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 7.14 *
Delivery weight: 176 g

In stock
can be shipped within 3-5 days

Product no.: 31142

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also version for organ / symphony orchestra).

The movement names:

  1. Jesu nostra Redemptio [ca. 12']
  2. Ave Maria [ca. 8' 20"]
  3. Aeterne Rex, altissime! [ca. 10' 40"]
from 111.86 *
Delivery weight: 1,078 g

In stock
can be shipped within 3-5 days

Product no.: 31182

Two sacred compositions op. 3 for double chorus brass ensemble and percussion by Wilhelm Kaiser-Lindemann, composed in 1973 and 1974.

  1. Osterfanfare über „Christ ist erstanden“ (Easter fanfare) op. 3a [3' 30"]
  2. „Veni Creator Spiritus“ (Music for Pentecost) op. 3b [6' 20"]
from 30.94 *
Delivery weight: 440 g

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Product no.: 31183
The present Composition offers the organist a range of opportunities to revive the original tune "Thank you for giving me the morning"  and feel it in a new way.

Contents / Duration:

  1. Theme [0' 35"]
  2. Andante / Allegro in G [4' 15"]
  3. Six verses varying over D/Eb/E/F/F#/G/D [2' 45"]
  4. Allegro / Andante in G [3' 15"]
  5. Six verses varying over D/Eb/E/F/F#/G [2' 45"]
14.98 *
Delivery weight: 92 g

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Product no.: 31138

Wilhelm Mohr's Psalm 24 "Machet die Tore weit" (Lift up your heads, O ye gates) op. 3 for mixed choir, large orchestra and organ with children's choir ad lib. is a powerful music in the late romantic tradition. Its grandly structured line leads finally in the well known Advent carol "Macht hoch die Tür" (Open the Door High), to sing optionally by a children's choir but even accompanied by the congregation.

from 79.73 *
Delivery weight: 1,287 g

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Product no.: 31185

O Magnum Mystery (O Great Mystery), the fourth responsorial chant from the Vigil at Christmas as a four-part motet by Thomás Luis de Victoria (1548-1611).

3.37 *
Delivery weight: 55 g

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Product no.: 31179

The symphonic meditation "Osternacht“ (Easter vigil) was written in 1987. It is subtitled with "Longing for heaven".

In the classical sense the composition could be seen as symphonic poem. By the sacral context it containes also the aspect of an oratorio, which indeed bears characteristics of a church opera by the choreographic instructions given in the score. The composer uses here the ancient German Easter hymn "Christ ist erstanden" (Christ is risen) as well as the Gregorian Liturgy "Victimae pascali laudes" (Easter Antiphon).

from 135.66 *
Delivery weight: 1,221 g

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Product no.: 31180
A new way of organ music. These are organ compositions with not definitely assigned stilistics insofar as you may detect a fusion of classical music and pop. Hence the title "Alternative organ pieces". The present organ pieces has been formed on special  occasions of liturgical celebration and after numerous presentations they can be said to be well received by the community.
 
Contents / Duration:

Easter Hymn "Christ ist erstanden" (Christ has arisen) in tango-like adaption [2' 55"]
Concerto in Manier der Wiener Klassik (in style of the Viennese Classical school) [3' 55"]
Canzonetta [3' 50"]
Capriccio nach spanischem Gestus (in Spanish style) [2' 35"]
Chanson française [2' 20"]
Entrée [1' 45"]
Canticum [2' 45"]
Swing Bells [2' 20"]
Sortie [5']
Marche d’Église [2' 35"]
Concerto G major [3' 15"]
Intermezzo [3' 35"]
Reminiscences [4' 35"]
Concerto F major [3']
Initiale [4' 25"]
Aria [2'30"]
Miniature [2' 20"]
Invention 1']  

44.94 *
Delivery weight: 114 g

Product is at revision. It becomes available again from March 2016.

Product no.: 31201

Part songs for choir a cappella. For seperate editions please select the title.

  1. Seaside Thoughts (male choir) [3'10"]
  2. Seaside Thoughts (mixed choir) [3'10"]
  3. The Last Night of the Year [2'55"]
  4. Evening [3'45"]
  5. O hush thee, my babie [3']
  6. The Rainy Day [1'35"]
  7. Parting Gleams [3'35"]
  8. Echoes [2'30"]
  9. The Long Day Closes (male choir) [3'15"]
  10. The Long Day Closes (mixed choir) [3'15"]
  11. Wreaths for our Graves [5'45"]
  12. Joy to the Victors [2'05"]
  13. The Beleaguered (male choir) [2'35"]
  14. The Beleaguered (mixed choir) [2'35"]
  15. It Came Upon the Midnight Clear [4'05"]
  16. Lead, Kindly Light [2'55"]
  17. Say, Watchman, What of the Night? [4'25"]
  18. The Way is Long and Dreary [4'45"]
  19. Fair Daffodils [1'40"]
from 9.63 *
Delivery weight: 48 g

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Product no.: 31184

Toccata "Espagnole" for organ after a Spanish Fandango rhythm.

10.70 *
Delivery weight: 57 g

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Product no.: 31181

Yea, though I walk [2' 50"]
The Lord is risen [2' 40"]

5.56 *
Delivery weight: 48 g

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Product no.: 31199
Sonata for violin and organ by Karl-Friedrich Albes.

Movements:
  I  Moderato [5' 35"]
 II  Andante cantabile [3' 10"]
III  Allegro, in Swing [4' 30"]

23.54 *
Delivery weight: 57 g
Product no.: 31216
Variations on a Christmas carol from Silesia for organ "O laufet, ihr Hirten" (Go, o shepherds, go fast) by an unknown composer. Place and date were mentioned at the end of the manuscript as La Pallice 19.11.1943. So it seems that the author was a Silesian organist who has been recruited as soldier in La Rochelle/La Pallice.
9.63 *
Delivery weight: 45 g

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Product no.: 31230

The 1st symphony op. 3 "Vom Ende der Tage" (About the End of Time) deals with the apocalyptic visions of John. Kaiser-Lindemann lets speak a symphonic brass orchestra that conjures up the "Day of the last trombone" together with the organ and large percussion.

from 184.45 *
Delivery weight: 1,221 g

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Product no.: 31191
3.32 *
Delivery weight: 55 g

In stock
can be shipped within 3-5 days

Product no.: 31201[16]

Part song for mixed choir a cappella:

Lead, Kindly Light [2'55"]

Part songs collective edition

3.32 *
Delivery weight: 48 g

In stock
can be shipped within 3-5 days

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